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Premiere Pro attempts to play back any sequence in real time and at full frame rate. Premiere Pro usually achieves this for all sections that either need no rendering or for which Premiere Pro already has rendered preview files. However, real-time, full frame-rate playback is not always possible for complex sections without preview files: unrendered sections. To play back complex sections in real time and at full frame rate, you may have to first render preview files for those sections.

Premiere Pro marks unrendered sections of a sequence with colored render bars. A red render bar appearing in the time ruler of a sequence indicates an unrendered section that probably must be rendered to play back in real time and at full frame rate. A yellow render bar indicates an unrendered section that probably does not need to be rendered to play back in real time and at full frame rate.

Regardless of their preview quality, sections under either red or yellow render bars should be rendered before you export them to tape.

A green render bar indicates a section that already has rendered preview files associated with it. Sequences refer to preview files in much the same way as source media. If you move or delete preview files in the Windows or Mac file browser rather than the Project panel, you’ll be prompted to find or skip the preview files the next time you open the project.

You can customize a sequence preset to allow previewing of uncompressed bit or uncompressed 8-bit footage. For more information, see Create a sequence with uncompressed video playback. This FAQ on Adobe forums summarizes what the red or yellow bar might mean in a sequence. Drag the work area bar over the section you want to preview.

Make sure that you drag the work area bar from its textured center; otherwise you cue the playhead instead. Drag the work area markers at either end of the work area bar to specify the beginning and end of the work area. Double-click the work area bar to resize it to either the width of the time ruler, or the length of the entire sequence, whichever is shorter. To define the whole sequence as the work area, the whole sequence must be visible in the Timeline panel. When setting the work area bar to define an area for rendering, corresponding options appear in the Sequence menu: Render Effects in Work Area, and Render Entire Work Area.

These options will not appear in the Sequence menu if the work area bar is not enabled. Position the pointer over the work area bar to display a tool tip that shows the work area bar’s start timecode, end timecode, and duration.

These options will not appear in the Sequence menu if the work area bar is enabled. You can render any part of a sequence that falls under a red render bar. You can also define a section of the sequence you want to render by setting In and Out points. Render Effects In to Out. Renders the sections of the video tracks lying within the In and Out points containing a red render bar.

Alternatively, press Enter. Render In to Out. Renders the sections of the video tracks lying within the In and Out points containing either a red render bar or a yellow render bar. Render Audio. You can set Premiere Pro to render the audio tracks whenever you render the video tracks. For more information, see Render audio when rendering video. To maximize the quality of motion in rendered preview files, check the Maximum Render Quality option in Sequence Settings.

For more information, see Settings. However, playback may suffer when the data throughput of your disk drive cannot sustain the flow when mixing multiple channels of audio and audio in a complex sequence. You can change this default so that Premiere Pro automatically renders audio previews whenever it renders video previews. When you render previews, Premiere Pro creates files on your hard disk.

These preview files contain the results of any effects that Premiere Pro processed during a preview. If you preview the same work area more than once without making any changes, Premiere Pro instantly plays back the preview files instead of processing the sequence again. Premiere Pro stores the preview files in a folder you can specify. Similarly, preview files can save time when you export the final video program by using the processed effects already stored.

Adobe Media Encoder does not automatically use Premiere Pro preview files for encoding. To make use of the Premiere Pro preview files, you must select the Use Previews option in Adobe Media Encoder for each encoding process. To further save time, Premiere Pro maintains existing preview files whenever possible.

Preview files move along with their associated segment of a sequence as you edit your project. When a segment of a sequence is changed, Premiere Pro automatically trims the corresponding preview file, saving the remaining unchanged segment.

To delete the render files only for a range of clips, adjust the Work Area bar so that it spans only the desired range. Those preview files which have any part of their associated clip within the work area will be deleted. You can set an option to automatically scroll a sequence when it is wider than the visible area in its Timeline panel.

Sequence scrolls through the visible area of a Timeline panel a page at a time. This is the option set by default. Smooth Scroll. You can display the sequence on any monitor connected to your computer.

Previewing on a television monitor requires video hardware that provides an appropriate video port for the monitor. Some video cards and operating system software products support a television monitor independent of the computer desktop.

Others support a second computer monitor that is contiguous with the computer desktop so that it can also function as additional space for the application. See the documentation that came with your video card and operating system. If you’re editing a DV project, you can preview the sequence on a television monitor via your IEEE connection and camcorder or video deck.

Set these, instead, to DV or Auto mode. Desktop Video Display During Playback. Specifies whether or not to play back to the Program Monitor. Deselect this option to play back only through the external monitor specified in the External Device option.

External Device. Aspect Ratio Conversion. Desktop Audio. External Device Audio. Export: External Device.

Enables export to tape for the specified device. This option doesn’t affect playback to an external device during export. Disables video to the external monitor if Premiere Pro is not the active application on your desktop. Specifies the conversion method for 24p footage.

See Set 24p playback options. If the video and audio seem out of sync, try to preview both video and audio through the same device.

Adobe video applications can automatically insert a unique document ID into each imported file. These unique IDs ensure that each application accesses the same cached previews and conformed audio files, preventing additional rendering and conforming. This setting is global—a change in one Adobe video application affects all the others. This setting also results in new file modification dates when IDs are initially inserted. To save rendering time when transferring a project to another computer, move both cached and original files.

Legal Notices Online Privacy Policy. Buy now. User Guide Cancel. In this Help article, learn how to render, preview, and playback sequences in Premiere Pro. Define the work area for rendering. Do any of the following:. Define the area for rendering using In and Out points. You can mark In and Out points to define an area for rendering:.

Mark In and Out points for the area of the sequence that you plan to render. Render a preview file for a section of a sequence.

Render a preview file for a section of a sequence setting In and Out points:. Set In and Out points to mark the area you want to preview. Choose Sequence, and select one of the following:. Renders a preview file for the sections of the audio tracks lying within the work area. The rendering time depends on your system resources and the complexity of the segment. These options are not available if the work area is enabled.

Render audio when rendering video. Click OK. Work with preview files. When completely done with a project, delete preview files to save disk space.





Почему бы не сказать – мы выиграли. Насколько мне известно, ты сотрудник АНБ. – Ненадолго, – буркнул Хейл.


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